Book Review: Green’s Paper Towns
So the original plan was to review Susanna Clarke’s Jonathan Strange & Mr. Norrell (which I have finished, and will review in a couple days)… but instead I went on a business trip (see previous post) and burned through OSC’s Ender’s Game (again) and this awesome little book. Much thanks to the Elder Brother Rightmire (@Rez0n8) and my sister-in-law for giving me this book.
This is a coming of age story unlike most I’ve read. Granted, most “coming of age” stories I’ve read are along the lines of Ender’s Game, what with children facing impossible odds and spaceships and lasers. Or they’re like the Lord of The Rings, what with magic and epic journeys and goblins.
This book has no spaceships or magic. It does, however, have (nearly) impossible odds and epic journeys. You might even be able to say it has goblins.
This the story of an awkward high school senior, a band geek who’s not even in band, his obsession with a girl who suddenly goes missing after a night of shenanigans, and of course discovering a great deal about himself, the girl, and how people relate to each other in general. Especially people’s perceptions of others.
Fair warning, at times the main character – Quentin, or “Q” – waxes on philosophically, which can be blamed largely on Whitman’s poetry (if you’ve read it you’ll understand), and can be justified in the book’s world by the fact that his parents are both psychologists. Still, waxing on is waxing on, and it was a bit much.
But there are some good insights amidst it: the revelation of how you shift from the perception of a person to actually knowing a person. What that actually takes, and how you can accept a person for being less – or simply different – than your own idea of them. And that journeys are, as we all know, important in their own right.
And, in the book’s saving grace, this story is a helluvalotta FUN. The dialog in particular is witty and fast-paced. It’s the kind of dialog that any kid who wasn’t too cool for school can immediately relate to, understand, and intimately enjoy. Green did a fantastic job creating a supporting cast for Quentin, and it’s really only the periphery characters that didn’t seem believable (which happens to be authority figures… chew on that). The ending is simple and effective, a nice balance of closure and opportunity. My wife completely disagrees with me on that last sentence.
I wouldn’t recommend this book to everyone, because some people will either (a) not appreciate the relationships that are developed, and which are core to the story, or (b) will just get lost in aforementioned waxing on (much like this post, it would seem). But I would recommend this book to most everyone else.
VERDICT:
Yup, go for it. And if for some reason it’s not for you, you know someone who will love it and therefore love you even more for giving/lending it to them.
UP NEXT:
Kenneth Oppel’s Airborn, also courtesy of EBR & TM (a.k.a. my bro & sis-in-law).




